Career experience working with:
I'm a Lead Brand & Identity Designer with six years of experience helping organisations figure out who they are and what they look like. I've worked in-house at The Telegraph, ZSEA, Banham Zoo, Teylu as well as freelance, collaborating on brand and creative work for a range of consumer clients across the UK.
I care about design that actually does something, whether that's shifting how a brand is perceived, making design more accessible, or reaching a million people before breakfast.
Career experience working with:
I'm a Lead Brand & Identity Designer with six years of experience helping organisations figure out who they are and what they look like. I've worked in-house at The Telegraph, ZSEA, Banham Zoo, Teylu as well as freelance, collaborating on brand and creative work for a range of consumer clients across the UK.
I care about design that actually does something, whether that's shifting how a brand is perceived, making design more accessible, or reaching a million people before breakfast.
Career experience working with:
I'm a Lead Brand & Identity Designer with six years of experience helping organisations figure out who they are and what they look like. I've worked in-house at The Telegraph, ZSEA, Banham Zoo, Teylu as well as freelance, collaborating on brand and creative work for a range of consumer clients across the UK.
I care about design that actually does something, whether that's shifting how a brand is perceived, making design more accessible, or reaching a million people before breakfast.
Career experience working with:
The Zoological Society of East Anglia, a historic brand who had in recent years suffered with a dilution of their Banham Zoo brand and image, sought to bring themselves back to their former glory of being an industry leader in conservation education and become a leader in accessibility.
The Zoological Society of East Anglia, a historic brand who had in recent years suffered with a dilution of their Banham Zoo brand and image, sought to bring themselves back to their former glory of being an industry leader in conservation education and become a leader in accessibility.
I was tasked with creating not only a bold brand that lets Banham Zoo rightfully sit at the top of their field, but a usable system that will live on and be able to be easily replicated for years to come to ensure the next generation of zoologists are inspired to continue on the task of ensuring animal conservation and welfare is maintained.
I was tasked with creating not only a bold brand that lets Banham Zoo rightfully sit at the top of their field, but a usable system that will live on and be able to be easily replicated for years to come to ensure the next generation of zoologists are inspired to continue on the task of ensuring animal conservation and welfare is maintained.
I was tasked with creating not only a bold brand that lets Banham Zoo rightfully sit at the top of their field, but a usable system that will live on and be able to be easily replicated for years to come to ensure the next generation of zoologists are inspired to continue on the task of ensuring animal conservation and welfare is maintained.
Creating accompanying artwork for news articles that were featured on the cover of the 'Features' section, in spreads throughout the newspaper, and as thumbnails on the website.
Finding ways to take potentially mundane or abstract article topics and represent them in a visually engaging and thought-provoking manner in a medium that can work in print and digitally seamlessly.
Creating accompanying artwork for news articles that were featured on the cover of the 'Features' section, in spreads throughout the newspaper, and as thumbnails on the website.
Finding ways to take potentially mundane or abstract article topics and represent them in a visually engaging and thought-provoking manner in a medium that can work in print and digitally seamlessly.
Creating accompanying artwork for news articles that were featured on the cover of the 'Features' section, in spreads throughout the newspaper, and as thumbnails on the website.
Finding ways to take potentially mundane or abstract article topics and represent them in a visually engaging and thought-provoking manner in a medium that can work in print and digitally seamlessly.
Designing motion graphics for The Telegraph's Snapchat news outlet.
Concepting, creating and exporting graphics for a minimum of 10 news stories a day. With a greater focus being on user retention each selected article needed to be visually distinct from one another and have its own aesthetic whilst also fitting in with the over-arching guidelines of The Telegraph.
Designing motion graphics for The Telegraph's Snapchat news outlet.
Concepting, creating and exporting graphics for a minimum of 10 news stories a day. With a greater focus being on user retention each selected article needed to be visually distinct from one another and have its own aesthetic whilst also fitting in with the over-arching guidelines of The Telegraph.
Designing motion graphics for The Telegraph's Snapchat news outlet.
Concepting, creating and exporting graphics for a minimum of 10 news stories a day. With a greater focus being on user retention each selected article needed to be visually distinct from one another and have its own aesthetic whilst also fitting in with the over-arching guidelines of The Telegraph.
Sherwood at the Controls was the 2016-2018 European tour for Adrian Sherwood, influential dub artist, cited as inspirations by Damon Albarn among others within the industry.
I create posters and other marketing materials for the Sherwood at the Controls European tour.
Sherwood at the Controls was the 2016-2018 European tour for Adrian Sherwood, influential dub artist, cited as inspirations by Damon Albarn among others within the industry.
I create posters and other marketing materials for the Sherwood at the Controls European tour.
Alongside the print elements of this project, we also created social content variations of the tour artwork to be distributed across various channels online.
Alongside the print elements of this project, we also created social content variations of the tour artwork to be distributed across various channels online.
Alongside the print elements of this project, we also created social content variations of the tour artwork to be distributed across various channels online.
Teylu is an up and coming marketing agency. I was tasked with updating the brand identity of the company to align it with it expanding further into the creative space. Along with this I have also completed reactive client work as part of the agency’s creative arm.
Teylu is an up and coming marketing agency. I was tasked with updating the brand identity of the company to align it with it expanding further into the creative space. Along with this I have also completed reactive client work as part of the agency’s creative arm.
Teylu is an up and coming marketing agency. I was tasked with updating the brand identity of the company to align it with it expanding further into the creative space. Along with this I have also completed reactive client work as part of the agency’s creative arm.
LACE was a personal passion project. It is a retro-modern love letter to sneaker and pop culture in the form of a print magazine in which I collaborated with many creatives and friends. The magazine had a small print run and was stocked in a few local skate and streetwear retailers in Cornwall.
LACE was a personal passion project. It is a retro-modern love letter to sneaker and pop culture in the form of a print magazine in which I collaborated with many creatives and friends. The magazine had a small print run and was stocked in a few local skate and streetwear retailers in Cornwall.
In 2025 I designed the helmet and car livery for the Rookie Championship Winner who races in Ginetta GT Academy Championship (support series for the British GT Championship).
In 2025 I designed the helmet and car livery for the Rookie Championship Winner who races in Ginetta GT Academy Championship (support series for the British GT Championship).
In 2025 I designed the helmet and car livery for the Rookie Championship Winner who races in Ginetta GT Academy Championship (support series for the British GT Championship).
About me
I'm a Graphic Designer based in the UK, with around six years of experience across brand identity, design systems, editorial, motion, and wayfinding.
I'm a Graphic Designer based in the UK, with around six years of experience across brand identity, design systems, editorial, motion, and wayfinding.
I'm a Graphic Designer based in the UK, with around six years of experience across brand identity, design systems, editorial, motion, and wayfinding.
I spent time early in my career at The Telegraph as a Junior Creative, working within an award-winning journalism team producing front-page artwork and motion graphics that reached over a million readers daily. That grounding in fast-paced, high-visibility work shaped how I think about design under pressure.
I spent time early in my career at The Telegraph as a Junior Creative, working within an award-winning journalism team producing front-page artwork and motion graphics that reached over a million readers daily. That grounding in fast-paced, high-visibility work shaped how I think about design under pressure.
I spent time early in my career at The Telegraph as a Junior Creative, working within an award-winning journalism team producing front-page artwork and motion graphics that reached over a million readers daily. That grounding in fast-paced, high-visibility work shaped how I think about design under pressure.
From there I moved into a Lead Designer role at the Zoological Society of East Anglia, where I oversaw the full rebrand of Banham Zoo, working closely with the Executive Team, mentoring junior designers, and building a brand identity that put accessibility and conservation education at its centre.
From there I moved into a Lead Designer role at the Zoological Society of East Anglia, where I oversaw the full rebrand of Banham Zoo, working closely with the Executive Team, mentoring junior designers, and building a brand identity that put accessibility and conservation education at its centre.
From there I moved into a Lead Designer role at the Zoological Society of East Anglia, where I oversaw the full rebrand of Banham Zoo, working closely with the Executive Team, mentoring junior designers, and building a brand identity that put accessibility and conservation education at its centre.
More recently I've been working with Teylu as well as freelance work. Working on brand strategy and creative output for clients from various industries
More recently I've been working with Teylu as well as freelance work. Working on brand strategy and creative output for clients from various industries
More recently I've been working with Teylu as well as freelance work. Working on brand strategy and creative output for clients from various industries
I'm at my best when I'm embedded in a project from the first brief, asking the right questions, building something considered, and seeing it through to launch.
I'm at my best when I'm embedded in a project from the first brief, asking the right questions, building something considered, and seeing it through to launch.
I'm at my best when I'm embedded in a project from the first brief, asking the right questions, building something considered, and seeing it through to launch.
Portfolio PDF
Portfolio PDF
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© 2026
Let's connect
Follow me
© 2026
Let's connect
Follow me
© 2026